Includes: A broad definition of the genre and its essential elements. A timeline of developments within the genre. Critical concerns to bear in mind while reading in the genre. Detailed readings of a range of widely taught texts. In-depth analysis of major themes and issues. Signposts for further study within the genre. A summary of the most important criticism in the field. A glossary of terms. An annotated, critical reading list.

This extraordinary casebook by a leading Gilman scholar brings together 100 years of critical discussion on the feminist classic The Yellow Wallpaper, providing crucial historical background and rich interpretations of this complex and compelling work. From the uneasy ambivalence of William Dean Howells to the feminist accolades of the 1970s and 1980s, and from semiotics to the history of women's health care, this edition brings together writings from a broad range of disciplines.

This text, as part of a series of research and study guides, is an introduction to the critical analysis of popular dramatists. Each guide covers three to six plays, offering a variety of viewpoints by different critics on aspects of each work.

The dictionary section has entries on major writers, and some of the best-known works, but also on geographical variants like Irish, Scottish or Russian Gothic and Female Gothic, Queer Gothic and Science Fiction. This is provided in over 200 often substantial and always intriguing entries. More can be found in a detailed bibliography, including general works but also more specialized ones on different styles and genres, and also specific authors.

A wide range of short fiction by Kate Chopin, Edith Wharton and Charlotte Perkins Gilman is the focus for this study, examining both genre and theme. Chopin's short stories, Wharton's novellas, Chopin's frankly erotic writing and the homilies in which Gilman warns of the dangers of the sexually transmitted disease are compared. There are also essays on ethnicity in the work of Chopin, Wharton's New England stories, Gilman's innovative use of genre and 'The Yellow Wallpaper' on film.

Bestselling novels by Angela Carter, Salman Rushdie, Gabriel Garcia Marquez and a multitude of others have enchanted us by blurring the lines between reality and fantasy. Their genre of writing has been variously defined as 'magic', 'magical' or 'marvellous' realism and is quickly becoming a core area of literary studies.

By showing that Langston Hughes continues to speak to the fundamentals of human nature, this comprehensive reconsideration invites a renewed appreciation of Hughes's work--and encourages new readers to discover his enduring relevance as they seek to understand the world in which we all live.